摘要：贾樟柯于1995年拍摄第一部57分钟的短片《小山回家》获得香港映像节大奖，再此之后又推出了《小武》、《站台》、《三峡好人》、《无用》、《任逍遥》等一系列作品，一时之间，贾樟柯成为了中国第六代导演中的先锋人物。他作品中关注平民阶层视角更是使得他成为了中国当代独立电影的代表人物之一。从《小武》到《任逍遥》，贾樟柯也从汾阳大同这样的中小城市转移到上海深圳这样的现代化都市。于是，贾樟柯的电影是否还具有“独立性”成为众人议论的焦点。贾樟柯自己说前三个题材可以归纳为故乡三部曲，但在他看来影片中故事的发生地点是农村小城市还是大城市都是一体的，没有什么区别。场景的变化，投资的变化并不能说明以为导演的拍摄电影独立思想的转变。本文将从贾樟柯早期和近期的电影作品进行比对，从他的影片思想，导演的动机目标，制作观念包括资金来源，发行方式来进行分析，研究贾樟柯电影的“独立性”是否发生改变。

关键词：贾樟柯；独立电影；独立性；

Abstract: Jia Zhangke was shot on 1995first57 minute short film" Hill home" Hongkong image awards, After this and launched the" Wu"," platform"," still life"," useless"," happy" wait for a series of works, For a time, Jia Zhangke became the director of the sixth generation of Chinese pioneer. He works on civilian perspective is that he has become China's contemporary independent film and one of the representative figures. From" Wu" to" happy", Jia Zhangke from the Fenyang Datong such small and medium-sized city moved to Shanghai Shenzhen modern city. Then, Jia Zhangke's film is also has the" independence" of being the focus of the discussion. Jia Zhangke himself said top three theme can be summarized as the hometown trilogy, but in his view of rural small city and city are integrated, there was no difference. Scene changes, the change of investment does not mean that the director of photography film independent thought transformation .This article from the Jia Zhangke early and recent films are compared, from his film ideas, director of motivation, production ideas including funding sources, distribution to analyze. Study of Jia Zhangke's film "independence" is changed

Keyword:  Independent film     Independence