【摘要】著名台湾导演杨德昌曾说：“台湾只有两类电影，青春片和非青春片。”台湾电影偏爱青春类题材，在某种程度上如同香港电影对于动作片的青睐一样，成为一种地域性标志。台湾青春电影在华语影坛中独树一帜，以侯孝贤、杨德昌、蔡明亮为代表的台湾新浪潮电影带有浓厚的文艺气息，主要侧重于描写年轻人背负的沉重的历史悲情，阐述了浓厚的乡愁文学，给人以一种强烈的压抑感。

　　　　相对于台湾新浪潮电影，台湾后新浪潮电影延续着浓厚文艺气息，但是风格上也有了很大的突破和转变，本文将着重探讨并总结进入21世纪以后的“台湾后新青春电影”中的独特风格，主要从三个部分来阐述，第一部分是对后新浪潮电影的基本阐述，从其产生的背景以及现状进行了分析;第二部分是对其散文化的叙事风格，即镜头、影像、声音等角度分析;第三部分是对多元化的叙述主题进行分析。

【关键词】校园青春 散文化 主题多元化 本土文化

【Abstract】A famous Taiwan director Edward Yang said: " There are only two kinds of Taiwan movies, youth movies and the other kind." Taiwan movies prefer youth movie theme, and to some extent as Hong Kong film prefer action movies, and they are becoming a regional sign. Taiwan youth have a very unique place in Chinese film. Hou hsiao-hsien,Edward Yang, CaiMingLiang, as a representative of the Taiwan new wave film which are with a strong flavor of literature and art. mainly focused on the description of the history of young people and had heavy tragedy, expounded the strong homesickness literature with a strong depressive feeling.

　　　　Relative to Taiwan's new wave film, after Taiwan new movies continue strong literary breath, but the style also has a great breakthrough and transformation, this paper will mainly discussed and summarized in the 21st century the unique style of "after Taiwan new youth movie", The first part is introduce of  the new wave movies, expounds the background and the analysis of current situation, the second part is about the prosification narrative style which namely analyse from the camera, image and sound; the third part is diversified narrative theme for analysis.

【Key words】Youth movie, prosification,theme diversity,local culture