摘要:迟子建的长篇小说《额尔古纳河右岸》是一部记录我国东北鄂温克族百年沧桑的一部宏大史诗，获第七届茅盾文学奖。作者以第一人称的视角，通过“我”这样一位年近九十的鄂温克族最后一个酋长的妻子，讲述了这个弱小民族顽强的抗争、优美的爱情和百年的生活史，展现了当代人类“回归家园，诗意栖居”的主题。由此可见，从生态美学的视角出发，通过对生态视野下的《右岸》（自然生态、社会生态）、《右岸》中女性形象、动物形象、人与自然和人与人之间的关系进行文本的深入分析，更进一步理解作品的主题以及小说《右岸》所涵盖的生态美学意义。

关键词：迟子建；《额尔古纳河右岸》；生态美学

ABSTRACT:The novel that from the author Chi zijian named the right bank Ergun river is a record in northeast of China in one hundred ewenki vicissitudes of a grand epic,it carry off a prize in the 7 Maodun literature. The author from the first person’s visual angle , and, through the woman such a year nearly ninety ewenki last the chief's wife, tells the story of the weak nations tough struggle,sweet love and one hundred years of life, show the theme that contemporary human return to their homes, poetic flavour living. Therefore, from the Angle of view of the ecological aesthetics, through to the ecological view of the right bank natural ecological, social and ecological, and the right bank in female images, animal image and the two unique regression, the relationship between the deep analysis of the texts, further understand the theme and novel the right bank covers the ecological aesthetic meaning. 

Key word: Chi zijian ; The right bank of the Ergun river ; The Ecological aesthetics