摘要：谢飞是第四代导演中的重要代表人物，从70年代末至本世纪初的导演历程中，谢飞都比较重视对电影作品视听语言的艺术性处理。从逻辑形式角度上归纳，谢飞导演电影作品的音画关系呈现为反对称关系、对称关系与非对称关系三种逻辑流变形式。这三种逻辑流变形式是对具体多样的音画组合形式的抽象概括，它们综合体现在电影作品中，整合而论共同指向于谢飞电影民族风格效果的构建。视听语言是影片风格效果实现的基础，音乐语言通过与画面民俗叙事场景、画面摄影审美以及画面蒙太奇剪辑的恰当组合，产生了丰富多样的风格效果。

关键词： 谢飞导演  电影 逻辑形式 音画关系 影像风格

Abstract: Director is an important representative of the forth generation of Chinese directors. From the late 70s to the beginning of this century, Xie Fei has always put much emphasis on the artistic processing of the audio-visual language in the films. In the logical form sense, the relationship between music and picture can be summarized as three logical form variations: anti-symmetric, symmetric and asymmetric, which is abstract summary of specific forms of music-picture combination. The three logical form variations reflected in the films are pointing to the construction of film style. Audio-visual language is the basis of the film’s style, the combination of film music and folk screen, aesthetic images and montage can produce a variety of film styles .

Key words: Director Xie Fei; Film; Logical form; The relationship between music and picture; Film style