[摘要] 本文通过对徐懋庸后期所属的时代背景和他的性格、经历等角度来分析其杂文创作的艺术特色。对他杂文的内容、创作手法、行文原则、语言艺术等方面进行全面分析。他作为50、60年代重要的杂文家，在杂文中倾注了全部人格力量，使其以显著的民众意思与整个中国现代文学遥相呼应，也向历史证明了：徐懋庸杂文不仅仅是鲁迅杂文的仿制。

 [关键词]  徐懋庸； 杂文； “鲁迅风”

[Abstract]  This article through to the late Xu Maoyong belongs to the background of the times and his personality, experience and perspective analysis of the artistic features of essay writing.In his essay, content creation, writing principle, language arts and other aspects of a comprehensive understanding of.He serves as the 50, 60 time important essays, in essay devoted all of personality, making it to the significant population mean and modern Chinese literature as a whole to echo each other at a distance, history has proved that: Xu Maoyong's essays not only Lu Xun's imitation. 

[Key words] Xu Maoyong    essays    "Lu Xun style"

　　随着时间的推进，阅历的增加。徐懋庸后期杂文显现得比前期更加成熟。比之前更加尖锐、深刻；比之前更具有思辨能力；比之前更加偏锋等等。我认为在这个特殊的年代，徐懋庸的杂文更具有研究价值。我们不可抛弃他的出身，他的经历，他的个性来单纯的看待那个特殊年代对其杂文创作的影响。我将从宏观的角度品鉴徐氏杂文的独特艺术，辩证对待其共性与个性。