摘要：20世纪四五十年代的土改小说是中国近现代文学史的星空中，灿烂的一批。而周立波的《暴风骤雨》与丁玲的《太阳照在桑干河上》是其中比较有代表性的两颗。两部作品集中反映的轰轰烈烈的土地改革运动，艺术地再现了那场惊心动魄的伟大变革,塑造出一系列鲜明的艺术形象,反映了土改运动中农民身上的新的气息。但在作品的人物形象塑造，艺术风格及其写作手法方面又存在明显的差异。本文选取文学作品主题、风格和写作模式异与同这一角度，对这两部作品进行探讨与研究。

关键词：《暴风骤雨》；《太阳照在桑干河上》；土改

Abstract: In the forties and fifties of twentieth century, the novel about land reform, is an important part of modern Chinese literary. Zhou Libo’s “The storm and showers” and  Ding Ling’s “The sun shines on the Sanggan River” are more representative ones. This two works reflected the vigorous nationwide land reform movement, and they had art reproduction of the great change that thrilling, the shape of a distinctive artistic image, reflecting the new flavor of the peasants in the land reform movement. Shaped characters in the works, the artistic style of its writing style, there are significant differences. This paper selects the theme of literary works, style and writing patterns differ with this point of view of these two works to explore and research. 

Keywords: "the Storm"; "The sun shines on the Sanggan River"; land reform;