摘要:小说《白鹿原》是陈忠实的代表作品，是他创作中的精华，是一部宏伟的作品，获得了第四届茅盾文学奖，奠定了在中国文学界的地位。小说《白鹿原》获得成功后，很多人对其表现形式进行了改编。其中导演王全安将小说文本改编为电影，上映后获得广泛关注。本文通过对陈忠实的长篇小说《白鹿原》和电影进行比较研究，分析二者的艺术差异，并尝试从审美的角度分析差异产生的原因，进一步探索小说文本与电影的艺术价值和相互影响，并试图从《白鹿原》小说到电影的审美嬗变中找出小说文本改编成电影的启示。

关键词： 白鹿原 电影 审美  嬗变

ABSTRACT:The novel “White Deer” is Chen Zhongshi’s representative works, the essence of his creation, and a magnificent work which won the fourth Mao Dun Award, laying the foundation in Chinese literary. After the success, the manifestation of this novel has been adapted by lots of people. Director Wang Chuan adapted the novel into a film, receiving wide attention after releasing. This paper makes comparative study of the novel and the movie to analyze the art differences, try to make clear of the causes, and do further explore of the artistic value and interaction of the text and movie, attempting to get enlightenment of adaption in the aesthetic evolution from novel into movie.  

Keywords: White Deer；Movie； Aesthetic；transmutation

　　　本文拟通过对陈忠实的长篇小说《白鹿原》的小说文本和电影进行比较研究，分析二者的艺术差异，并尝试从审美的角度分析差异产生的原因，进一步探索小说文本与电影的艺术价值和相互影响，从中挖掘出小说文本改编成电影的启示。