摘要：一切历史都是现代史，每一代人都有权利去创作属于自己时代的作品。四大名著题材的影视作品具有经典性，但是随着社会的转型，消费时代下的文化心理有所变迁。为了以当代人的视角来重新看待经典作品，名著翻拍是必然的文化活动。 

　　　名著翻拍必定会刻上时代的印记，当然不能拘泥于原著而不出新，但也不能毫无原则地为求新鲜陷入俗套。本文以文化学为视角，以新版电视剧《红楼梦》、新版电视剧《三国》为例探析翻拍的现实依据与文化理据，以及当代电视观众文化心理的变迁如何影响着翻拍活动。

本文最后对现行的翻拍活动得出探究结论，对其未来发展的目标以及准则做出策略分析，同时引发进一步思考。

关键词：翻拍；经典；文化心理；转型

Abstract:Each history is a history by period and each generation has the right to create works of their own era. Films and television works about Four Masterpieces of China are quite classical. However, cultural psychology of the audiences in consumption age have changed with the transformation of society. To treat classic works from a perspective of modern people, remaking classic works is an inevitable cultural activity. Remakes of classic works will certainly carry the stamp of the times. But remaking can't rigidly adhere to the original rather than a new, nor can they be conventional when pursuing novelty with no limitation. Taking the perspective of cultural studies, this paper tries to discuss the possibility and practical necessity of remakes and study how the change of the contemporary audience's cultural psychology affects remaking activities, based on examples of the new TV series "A Dream of Red Mansions" and "The Romance of the Three6 Kingdoms". Finally, this paper reaches some conclusions of current remaking activities and makes strategic analysis and discussion of guidelines and goals of their future development.

Key Words：Remaking; Classics; Cultural psychology; Transformation

　　　本文结构如下：第一章：翻拍现象的文化根由（主要阐述目前中国影视剧市场翻拍剧的具体情况；分析名著翻拍的现实可能性与必然性）第二章：名著翻拍现象的观众心理缘由（主要论述恒常状态下的电视观众心理以及转型时期文化心理的变迁）第三章：新旧版《红楼梦》、《三国》观众心理诉求比较（主要论述文化心理的变迁在哪些方面影响着翻拍作品，具体从叙事情节点、角色塑造、新版创新三方面来说）第四章：翻拍剧未来走向的探析（通过最近颁布的“禁令”引发思考，最终得出翻拍剧未来发展的策略）

　　　通过对问题的解答得出课题研究的结论：因为经典传承性以及时代背景的更迭，名著翻拍是一项必然的文化活动。这项活动必须关照到当代电视观众的文化心理，遵循文化传承与文化重构、技术操作性与艺术审美性辩证统一的原则。